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Tampilkan postingan dengan label 1996. Tampilkan semua postingan
Tampilkan postingan dengan label 1996. Tampilkan semua postingan

Lovestruck : Laure / Le miroir du désir (1996)





















 











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Linda (Clara Mars), an American choreographer in Paris, is looking for an original birthday gift for her husband, Jean (Patrick Hamel). She organizes a fake audition for an erotic dance show in New York. While they are choosing dancers they are fulfilling their fantasies. Three dancers attract Jean's attention: the couple of Daniel (Donn Martin) and Laure (Julia Austin) and Sophie (Marie-France Henry). Linda seduces Daniel and pushes Sophie into the arms of her husband and destines Laure to the final surprise. But Laure soon understands the aim of these rehearsals and prefers to leave the class. Indeed she refuses to be a gift offered to Jean, while she just thought to come and dance to entertain.

Director : Servais Mont
Writers : Joséphine Avril (story), Cléonisse Rousseau (story)

Stars :
Julia Austin, Clara Mars, Patrick Hamel
























The People vs. Larry Flynt (1996)
















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The People vs. Larry Flynt is a 1996 American biographical drama film directed by Miloš Forman and starring Woody HarrelsonCourtney Love, and Edward Norton. It chronicles the rise of pornographic magazine publisher and editor Larry Flynt and his subsequent clash with religious institutions and the law.[4]
The film was written by Scott Alexander and Larry Karaszewski. It spans about 35 years of Flynt's life from his impoverished upbringing in Kentucky to his court battle with Reverend Jerry Falwell, and is based in part on the U.S. Supreme Court case Hustler Magazine v. Falwell. Though not a financial success, the film was lauded by critics, and garnered Woody Harrelson, Courtney Love, Edward Norton and director Miloš Forman multiple accolades and award nominations.
In 1952,[5] 10-year-old Larry Flynt is selling moonshine in Kentucky. Twenty years later, Flynt and his younger brother, Jimmy, run the Hustler Go-Go club in Cincinnati. With profits down, Flynt decides to publish a newsletter for the club, the first Hustler magazine, with nude pictures of women working at the club. The newsletter soon becomes a full-fledged magazine, but sales are weak. After Hustler publishes nude pictures of former first lady Jackie Kennedy Onassis, sales take off.
Flynt becomes smitten with Althea Leasure, a stripper who works at one of his clubs. With Althea and Jimmy's help, Flynt makes a fortune from sales of Hustler. With his success comes enemies - as he finds himself a hated figure of anti-pornography activists. He argues with the activists, saying that "murder is illegal, but if you take a picture of it you may get your name in a magazine or maybe win a Pulitzer Prize". "However", he continues, "sex is legal, but if you take a picture of that act, you can go to jail". He becomes involved in several prominent court cases, and befriends a young lawyer, Alan Isaacman. In 1975, Flynt loses a smut-peddling court decision in Cincinnati but is released from jail soon afterwards on a technicality. Ruth Carter Stapleton, a Christian activist and sister of President Jimmy Carter, seeks out Flynt and urges him to give his life to Jesus. Flynt seems moved and starts letting his newfound religion influence everything in his life, including Hustlercontent.
In 1978, during another trial in Georgia, Flynt and Isaacman are both shot by a man with a rifle while they walk outside a courthouse. Isaacman recovers, but Flynt is paralyzed from the waist down and uses a wheelchair for the rest of his life. Wishing he was dead, Flynt renounces God. Because of the emotional and physical pain, he moves to Beverly Hills and spirals down into depression and drug use. During this time, Althea also becomes addicted to painkillers and morphine.
In 1983, Flynt undergoes surgery to deaden several nerves in his back damaged by the bullet wounds, and as a result, feels rejuvenated. He returns to an active role with the publication, which, in his absence, had been run by Althea and Jimmy. Flynt is soon in court again for leaking videos relating to the John DeLorean entrapment case, and during his courtroom antics, he fires Isaacman, then throws an orange at the judge. He later wears an American flag as an adult diaper along with an army helmet, and wears T-shirts with provocative messages such as "I Wish I Was Black" and "Fuck This Court." After spitting water at the judge Flynt is sent to a psychiatric ward, where he sinks into depression again. Flynt publishes a satirical parody ad in which Jerry Falwell tells of a sexual encounter with his mother. Falwell sues for libel and emotional distress. Flynt countersues for copyright infringement, because Falwell copied his ad. The case goes to trial in December 1984, but the decision is mixed, as Flynt is found guilty of inflicting emotional distress but not libel.
By that time, Althea has contracted HIV, which proceeds to AIDS. Some time later in 1987, Flynt finds her dead in the bathtub, having drowned. Flynt presses Isaacman to appeal the Falwell decision to the Supreme Court of the United States. Isaacman refuses, saying Flynt's courtroom antics humiliated him. Flynt pleads with him, saying that he "wants to be remembered for something meaningful". Isaacman agrees and argues the "emotional distress" decision in front of the Supreme Court, in the case Hustler Magazine v. Falwell in 1988. With Flynt in the courtroom, the court overturns the original verdict in a unanimous decision. After the trial, Flynt is alone in his bedroom watching old videotapes of a healthy Althea.


The People vs. Larry Flynt
Man gagged by the American flag
Theatrical release poster
Directed byMiloš Forman
Produced byOliver Stone
Janet Yang
Michael Hausman
Written byScott Alexander
Larry Karaszewski
Starring
Music byThomas Newman
CinematographyPhilippe Rousselot
Edited byChristopher Tellefsen
Production
company
Distributed byColumbia Pictures
Release date
  • October 13, 1996
  • (NYFF)
  • December 25, 1996
  • (United States)
Running time
129 minutes[1]
CountryUnited States
LanguageEnglish
Budget$35 million[2]
Box office$20.3 million[3]



















Lustful Revenge (1996)


















 









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A young female detective is on the trail of a serial killer who prays on female victims.

Director : Masaru Konuma

Stars :
Kazuhisa Kawahara, Itsumi Ohsawa


























Two Much (1996)














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Two Much is a 1995 romantic screwball comedy film based on Donald Westlake's novel of the same name, and is also a remake of the 1984 Frenchcomedy film Le Jumeau, which was also based on Westlake's novel. Directed by Fernando TruebaTwo Much stars Antonio BanderasMelanie GriffithDaryl Hannah and Danny Aiello. It was released in the United States by Touchstone Pictures and Metro-Goldwyn-Mayer in Other Countries. Lew Soloff performed music for the film.
Art Dodge (Antonio Banderas), a former artist, is struggling to make ends meet with his art gallery, ignoring bills and delaying to pay his assistant Gloria (Joan Cusack) and his artist Manny (Gabino Diego). To survive, he is reading the obituaries and trying to convince the widows that the deceased purchased a painting shortly before dying.
Things take an ugly turn when Art is trying this scam with mobster Gene (Danny Aiello) whose father just died. Not only does Gene not fall for it, but he tries to have his henchmen beat Art up. Art barely escapes by hiding in the Rolls Royce of Betty Kerner (Melanie Griffith), Gene's estranged two-time ex-wife and wealthy heiress. Betty is excited about helping the handsome stranger, and the two end up shortly thereafter making love. Betty being very impulsive, she wants to marry Art in two weeks. Because of the heiress fortune the news immediately makes the tabloids. Stuck between Betty who won't change her mind and Gene who still loves his ex-wife, Art doesn't like the idea of getting married with such short notice but decides to play along for now.
One morning, at Betty's mansion, Art seductively enters her shower naked, only to realize it's not Betty who's in there but her sister Liz (Daryl Hannah), an art professor. If Art is attracted to Liz, she stays very cold and distant, seeing him as nothing more than a gigolo who hit the jackpot. Art decides to invent a fake twin brother Bart (who wears glasses and has his hair down instead of wearing a ponytail) who is allegedly a painter who just got back from Italy. Bart and Liz instantly hit it off while Gene still tries to romance Betty. Bart and Liz can't stop talking about everything, he plays with her dog and even invites her to Manny's studio when he's not in, pretending to show her his art. When Liz's favorite painting in the studio turns out to have been actually made by Art (who gave it to Manny as an "advance" on what he owes him), Bart gives her the painting.
Thanks to his imaginary twin brother, Art manages to pursue a romance with both sisters. Because the two "twin brothers" must never be in the same place at the same time, it however involves a lot of running around, coming up with a lot of excuses and enlisting a very reluctant Gloria's help. One evening he needs to go out two separate dates with both Betty and Liz. At the restaurant with Betty, he decides to drug her wine, much to the horror of the sommelier (Vincent Schiavelli). This allows him to cut the date short and put a very sleepy Betty to bed. He then goes out with Liz (who chooses the very same restaurant) and ends up making love to her. The next morning, Art/Bart has to run back and forth between the two sister's bedrooms (whose two bathrooms share a private swimming pool) as he's supposed to be with them both at the same time.
In the evening before the wedding, Art spots Gene's two henchmen around his house and manages to escape them thanks to his dad's help (Eli Wallach). He tries to spend the night at Gloria's but he discovers she started dating Manny. Manny however gives him the keys to his studio where he can spend the night. At the studio, Art starts to paint again when he is interrupted by Gene's henchmen who found him and start beating him up, before Gene shows up. When Art proposes Gene to leave town, Gene tells him to go ahead with the wedding and threatens to break one bone for each tear Betty cries. After they leave, Liz arrives to the studio, thinking Bart got beat up. When Bart tells her he is Art, that he fell in love when he saw her in the shower and tries to kiss her, Liz thinks Art is trying to make a pass at her, not realizing Bart doesn't exist.
On the wedding day, Liz tells Bart his "brother" tried to kiss her, and that the wedding should be called off. Bart needs to "confront" Art in a study alone, with Liz and Gene listening outside -and, unbeknownst to anyone, also by Betty through the phone. When Gene enters the study, he confronts a lonely Art, and again threatens him if he doesn't marry Betty. He tells him that what Art or even himself want is irrelevant, and that the only thing that matters is Betty's happiness. During the wedding ceremony, Betty, shaken by Gene's selfless devotion, calls the wedding off and falls in Gene's arms acknowledging she still love him too. Gene and Betty elope. In the general confusion, Liz sees her dog wanting to play with Art and realizes Art and Bart are the same person. Bart then go see Liz, telling her a fake excuse to "go back to Italy" (which she of course doesn't buy), adding he's not worthy of her.
A few month later, Art's gallery has experienced a dramatic turnaround (Gloria owns and manages it, and Art is the artist) and is now very successful. At the inauguration of his work, Art notices Liz who still has feeling for him but is not sure who he is really. Art manages to convince her he is the one she had feelings for, and the movie ends with the two happily walking in the street, hand in hand.


Two Much
Two-Much film.jpg
DVD cover
Directed byFernando Trueba
Produced byCristina Huete
Written byFernando Trueba
David Trueba
Based onTwo Much by
Donald Westlake
and
Le Jumeau written by Élisabeth Rappeneau
Starring
Music byMichel Camilo
CinematographyJosé Luis Alcaine
Edited byNena Bernard
Production
company
Distributed byBuena Vista Pictures (US)
Metro-Goldwyn-Mayer(non-US)
Release date
  • December 1, 1995 (Spain)
  • March 15, 1996 (U.S.)
Running time
118 minutes
CountryUnited States
Spain
LanguageEnglish
Budget$24 million
Box office$1,141,556

















Dating the Enemy (1996)











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Dating The Enemy is a 1996 Australian comedy about a boyfriend and girlfriend who swap bodies and have to live as each other.
One Valentine's evening a group of single, dateless friends get together to play Trivial Pursuit. Brett (Guy Pearce), a friend of the host from Melbourne, has just landed a job as presenter of a TV gossip show. He is brash and self-confident. Tash (Claudia Karvan) is a science journalist for a national newspaper, studious, intense and self-conscious. They have nothing in common, so naturally they get it together.
A year later and Brett's career is going well, there is the possibility of a job in New York and popularity has gone to his head. Tash is still trying to write serious scientific articles for a paper more interested in gossip and sex and struggling to prevent her articles being buried on page 12. Their relationship is on the rocks. That night during a Valentine's boat trip on Sydney Harbour, an argument ensues and Brett decides he has had enough. Tash tells him: 'I wish you could be me, so you could see how I feel for once. I wish I could be you, so I could show you what an idiot you've become!'.
That night is a full moon and fate decides to lend a hand. They wake to find that each is in the other's body. A month of each pretending to be the other ensues and they have to learn what it's really like to be in the other person's shoes. Tash has to try to keep Brett's high-profile career on track. Brett is so bored by Tash's job, he ends up trying to make science sexy. Each learns to appreciate the other as only together can they make this enforced predicament work out.


Dating the Enemy
Datingtheenemy.jpg
Directed byMegan Simpson Huberman
Written byMegan Simpson Huberman
StarringGuy Pearce
Claudia Karvan
John Howard
Matt Day
Release date
  • 1996
Running time
97 minutes
CountryAustralia
LanguageEnglish














Tremors II : Aftershocks (1996)












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Tremors 2: Aftershocks is a 1996 direct-to-video sequel to Tremors, in which the character of Earl Bassett, returning from the first film, is hired to deal with a subterranean "graboid" infestation at a Mexican oilfield. It was directed by S. S. Wilson, and stars Fred WardChristopher GartinMichael Gross, and Helen Shaver. It was followed by a 2001 sequel, Tremors 3: Back to Perfection. It is the second film of the Tremors franchise.
A man on an oil field in SonoraMexico flees from an underground creature which emerges and eats the man, revealing it to be a graboid. Years after the events of the first film, Val McKee has moved away and married Rhonda LeBeck, while Earl Basset has squandered his fortune on a failing ostrich ranch. He is approached by Carlos Ortega, who informs him that graboids are killing his workers at his oil field in SonoraMexico, and hires him to hunt them down. Earl initially declines, but Ortega's taxi driver, Grady Hoover, convinces Earl to change his mind; both join the hunt. Upon arrival in Sonora, Earl learns that the company would pay him double if he caught one of the creatures alive. He also meets geologist Kate Reilly and her assistant Julio, who are scientifically investigating the Graboids.
Earl and Grady begin systematically killing the Graboids by using remote-controlled cars rigged with explosives. Realizing the vast number of Graboids, Earl enlists the help of Burt Gummer, who arrives with a truck loaded with firearms and explosives. The next day, Earl and Grady encounter what appears to be a sick Graboid after crashing their truck. They radio for the oil field's mechanic Pedro and wait with the Graboid. That night, the Graboid dies, and Earl and Grady find sacs within the carcass. Pedro's truck arrives, but Grady and Earl find only his arms remaining and the engine motor ripped apart. While breaking into a parked car, they encounter several Graboid-like creatures, later named Shriekers, which have apparently come from their Graboid. Meanwhile, Burt's truck is ambushed by a pack of Shriekers while returning to base.
Julio is killed by Shriekers moments before Earl and Grady arrive and kill them the following morning. The creatures attack and they are forced to hide inside the office. Burt arrives, having engaged the Shriekers and captured a live one. Through experimentation, the group discovers that, through eating, the hermaphrodite creatures can replicate at an incredible rate. They also learn that the creatures cannot hear unlike their predecessors, but rather see heat through special infraredreceptors on their heads, thus their targeting of car engines. They are attacked by the Shriekers, who chase them throughout the compound. They run for Julio's car, but Burt accidentally disables it while killing a Shrieker.
Hiding from the Shriekers, Burt is trapped in a bulldozer bucket while Grady, Kate, and Earl are on top of an oil tower. The Shriekers work together in an attempt to climb the tower before Burt traps them in the storage shed with the truck. However, they discover rice flour is stored inside as well, enabling the Shriekers to continue multiplying inside. Earl douses himself in CO2 from a fire extinguisher to hide his body heat, and tries to find Burt's explosives inside. However, the Shriekers eventually detect him, forcing Earl to throw the detonator among Burt's supplies before escaping. The group manages to escape before the explosives level the facility, destroying all of the Shriekers. In the aftermath, Earl and Kate decide to pursue each other romantically, while Grady suggests opening a monster-themed theme park due to the money Ortega now owes them.



Tremors 2: Aftershocks
Tremors 2.jpg
Promotional poster
Directed byS. S. Wilson
Produced byNancy Roberts
Christopher DeFaria
Written byBrent Maddock
S.S. Wilson
StarringFred Ward
Christopher Gartin
Helen Shaver
Marcelo Tubert
Michael Gross
Music byJay Ferguson
CinematographyVirgil L. Harper
Edited byBob Ducsay
Production
company
Distributed byUniversal Home Entertainment
Release dates
  • April 9, 1996
Running time
97 minutes
CountryUnited States
LanguageEnglish
Budget$4 million









 
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