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LALAMUNAN (2008) - A spouse (Hazel Cabrera) discovers her better half's savage room style unsettling (and she begins to think about whether he's undermining her), and when this makes her waver into the edge of mental issues, she is "spared" by her male specialist companions (Rico Barrera)... with whom she starts an undertaking.
Yet, not in countering. Truth be told, this hapless sexpot's exclusive response to her hubby's selling out (she gets him in flagrante delicto with the family driver (Ran Domingo)...) is to whimper and flee in loathing and misery. In any case, strangely feels regret when the all of a sudden arrived specialist confronts the withering spouse (whose injuries were really incurred, additionally oddly, by the driver-beau).
Different characters bounce in and out arbitrarily (a closest companion to the spouse, the facility secretary, a few masseurs, et al), however too bad, ineffectively fleshed out. As though author executive Jigs Recto simply needed the scenes to be occupied and clamoring with movement. Disregard character advancement (of the minor parts). This is Recto's second directorial exertion (as of now, he has coordinated his sixth film).
Barrera's solid nearness, as Andrei, is a decent differentiation to Herrera's strong sexuality in the part of the cross-sexual spouse, Devon (where did they get these names?) - which is amusingly redirected by Ran Domingo as the essential beefcake here! (Generally Herrera IS the beefcake, foil to a lead on-screen character). While the scenes of Barrera attempting to analyze and resolve Cabrera's tensions are ludicrous, Barrera is a strong on-screen character and merits worthier material. Indeed, even Herrera has demonstrated his grit on TV cleansers (regardless of the possibility that, regularly, he needs to take his shirt off).
Oh dear, Cabrera neglects to stand her ground against the three hunks; uncertain of her balance in many scenes, regularly insipid (even with her garments off!).
No profound implications or imageries here, not even a negligible push to channel Stanley and Stella (A STREETCAR NAMED DESIRE). Too awful, when the main woman part is overflowing with potential, a veritable goldmine for a predominant performing artist (hypochondria, showmanship, sexual wantonness). Only an exhausting day in the lives of marrieds, and their sexual idiosyncrasies and faults. The title is the vernacular word for "throat," however why might one process, or ingest, such exhausting conjugal drama?
Director : Jigs Recto (as Jigz F. Recto)
Writer : Jigs Recto (story and screenplay) (as Jigz F. Recto)
Stars :
Jordan Herrera, Hazel Cabrera, Rico Barrera
Yet, not in countering. Truth be told, this hapless sexpot's exclusive response to her hubby's selling out (she gets him in flagrante delicto with the family driver (Ran Domingo)...) is to whimper and flee in loathing and misery. In any case, strangely feels regret when the all of a sudden arrived specialist confronts the withering spouse (whose injuries were really incurred, additionally oddly, by the driver-beau).
Different characters bounce in and out arbitrarily (a closest companion to the spouse, the facility secretary, a few masseurs, et al), however too bad, ineffectively fleshed out. As though author executive Jigs Recto simply needed the scenes to be occupied and clamoring with movement. Disregard character advancement (of the minor parts). This is Recto's second directorial exertion (as of now, he has coordinated his sixth film).
Barrera's solid nearness, as Andrei, is a decent differentiation to Herrera's strong sexuality in the part of the cross-sexual spouse, Devon (where did they get these names?) - which is amusingly redirected by Ran Domingo as the essential beefcake here! (Generally Herrera IS the beefcake, foil to a lead on-screen character). While the scenes of Barrera attempting to analyze and resolve Cabrera's tensions are ludicrous, Barrera is a strong on-screen character and merits worthier material. Indeed, even Herrera has demonstrated his grit on TV cleansers (regardless of the possibility that, regularly, he needs to take his shirt off).
Oh dear, Cabrera neglects to stand her ground against the three hunks; uncertain of her balance in many scenes, regularly insipid (even with her garments off!).
No profound implications or imageries here, not even a negligible push to channel Stanley and Stella (A STREETCAR NAMED DESIRE). Too awful, when the main woman part is overflowing with potential, a veritable goldmine for a predominant performing artist (hypochondria, showmanship, sexual wantonness). Only an exhausting day in the lives of marrieds, and their sexual idiosyncrasies and faults. The title is the vernacular word for "throat," however why might one process, or ingest, such exhausting conjugal drama?
Director : Jigs Recto (as Jigz F. Recto)
Writer : Jigs Recto (story and screenplay) (as Jigz F. Recto)
Stars :
Jordan Herrera, Hazel Cabrera, Rico Barrera
