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Jingle All the Way is a 1996 American Christmas family comedy filmdirected by Brian Levant and starring Arnold Schwarzenegger and Sinbad, with Phil Hartman, Rita Wilson, Jake Lloyd, James Belushi and Robert Conrad. The plot focuses on two rival fathers, workaholic Howard Langston (Schwarzenegger) and stressed out postal worker Myron Larabee (Sinbad), both desperately trying to get a Turbo-Man action figure for their respective sons on a last minute shopping spree on Christmas Eve.
Inspired by real-life Christmas toy sell-outs for products such as the Cabbage Patch Kids and Mighty Morphin Power Rangers, the film was written by Randy Kornfield. Producer Chris Columbus rewrote the script, adding in elements of satire about the commercialization of Christmas, and the project was picked up by 20th Century Fox. Delays on Fox's reboot of Planet of the Apes allowed Schwarzenegger to come on board the film, while Columbus opted to cast Sinbad ahead of Joe Pesci as Myron. Jingle All the Way was set and filmed in the Twin Cities of Minneapolis and Saint Paul at a variety of locations, including the Mall of America. After five weeks filming, production moved to California where scenes such as the end parade were shot. The film's swift production meant merchandising was limited to a replica of the Turbo-Man action figure used in the film.
Although some critics felt the film was good family entertainment, it was met with a broadly negative response. Much criticism was attached to the film's script, its focus on the commercialism of Christmas, Levant's direction and Schwarzenegger's performance. Nevertheless, it proved a success at the box office, generating $129 million worldwide, and it receives regular broadcasts on television during the Christmas season. In 2001, Fox was ordered to pay $19 million to Murray Hill Publishing for stealing the idea for the film; the verdict was overturned three years later.
Jingle All the Way is also Sinbad and Hartman's second collaboration after Houseguest (1995).
Howard Langston is a workaholic mattress salesman with no time for his wife, Liz, and his 9-year-old son, Jamie — especially when compared to next door "superdad" divorcee, Ted Maltin, who continually puts Howard in a bad light. After missing Jamie's karate class graduation, Howard resolves to redeem himself by fulfilling Jamie's ultimate Christmas wish: getting an action figure of Turbo-Man, a wildly popular children's TV superhero toy. Along the way, Howard meets Myron Larabee, a postal worker dad with a rival ambition, and the two soon become bitter competitors in their race for the action figure. During his search, Howard repeatedly runs into Officer Alexander Hummell, a police officer who had earlier pulled him over for a traffic violation. After several failed attempts to find the toy in a store, Howard attempts to buy a Turbo-Man from a Mall of America Santa who is actually the leader of a band of counterfeit toy makers. When he accuses the Santa of undermining the values of Christmas (having been sold a defective toy that falls apart the moment he opened the package), Howard ends up in a brawl with the gang. He narrowly escapes when the police raid their warehouse and gets out by posing as an undercover detective using a toy badge.
Later, Howard arrives at Mickey's Diner and uses their phone home to call home. As he tried to get a hold of Liz, he unintentionally scolds at Jamie on the phone over Turbo-Man. Jamie rebukes his father about how his never keeps his promises and hangs up. Howard then encounters Myron at the dinner. As they sat down and talk, Myron tells Howard about the time when his father was unable to get him a Johnny Seven OMA toy on Christmas. They hear on the KQRS radio station that the D.J. is running a Turbo-Man competition. When they get to the studio they find out they can only win a gift certificate. They are nearly arrested but Myron bluffs the police into backing off by threatening them with a package (which he claims is a mail bomb, unaware that it really is one). Officer Hummell tries to open it and it blows up in his face. After his car is stripped by thieves, Howard is ultimately forced to return home empty-handed. Upon seeing Ted in his house placing the star on his tree, Howard gets angry and attempts to steal the Turbo-Man doll from Ted's house that he had bought for his son Johnny (E.J. De La Pena), but changes his mind at the last moment as he could not see himself stealing from a child. He is attacked by Ted's pet reindeer and the commotion leads him to be caught by Ted and a distraught Liz. Liz and Jamie leave for the local Wintertainment Parade with Ted; Howard follows, aiming to make amends. At the parade, Ted makes a pass at Liz, but after seeing what he really is, she turns him down by hitting him with a thermos of eggnog.
Howard runs into a bandaged Officer Hummell and accidentally drenches him with hot coffee. In the ensuing chase, Howard runs into a preparations room for the parade and is mistaken for a replacement for the actor who will play Turbo-Man on a parade float. As the "real" Turbo-Man, he presents the coveted limited-edition Turbo-Man doll to his awed son. Before he recognizes his father, Jamie is chased by Myron, who has dressed as Turbo-Man's arch enemy Dementor (having caught, tied up and gagged the real actor). As the crowd assumes this is all part of the show, Howard attempts to rescue his son by utilizing the Turbo-Man suit's equipment.
Howard catches Jamie as he falls from a roof and reveals himself to his son. Officer Hummell gives the doll to Jamie, then is shocked to discover that Howard was Turbo-Man, then Howard apologies to Officer Hummell about everything. Myron is arrested while ranting about having to explain his failure to get the Turbo-Man toy for his son. Touched by Myron's words, Jamie gives the doll to him and tells Howard that he does not need it since his father is "the real Turbo-Man". Howard is crowd-surfed away as Liz, Jamie and Myron look on happily.
Jingle All the Way | |
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Theatrical release poster
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Directed by | Brian Levant |
Produced by |
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Written by |
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Starring | |
Music by | David Newman |
Cinematography | Victor J. Kemper |
Edited by |
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Production
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Distributed by | 20th Century Fox |
Release dates
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Running time
| 89 minutes |
Country | United States |
Language | English |
Budget | $75 million[1][2] |
Box office | $129.8 million |